すべてのITエンジニアは認定資格の取得を目指します。testpassport 9A0-068（After Effects CS3 ACE EXAM ）認定試験問題集は二つフォーム（pdfとソフト版）を提供して、pdf形式はプリントだけでなく、いくつのパソコンで使うことができます。ソフト版は実際の試験雰囲気を模擬したものです。
初心者としても問題と答え（Q @ A）を暗記して、100％試験合格率を保証されてます。Testpassport問題集はIT専門家グループによって作り上げられて、英語が世界で普通の言語ので、多くのシミュレーション問題の対策は英語版です。testpassport 9A0-068過去問は107問を含みます。
Testpassportの9A0-068練習問題は認定試験の情報によって、よくアップデートして、貴方の持って問題集は最新版を保証されてます。9A0-068テキストブックは一年で無料更新サービスを提供して、認定合格に役に立ってます。もし、試験内容を変更したら、早速お客様に知らせます。そして、更新版があったら、お客様に送ります。
9A0-068無料デモで試しに自信を持って認定合格になります。以下は9A0-068無料デモです。
http://pdf.testpassport.jp/9A0-068.pdf
1.Click the Exhibit button You have three layers in a composition. You place them at different distances
from the camera. You want the farthest layer to look blurred, as shown in the Exhibit. What should you do
in the Camera Settings dialog box?
A.Set the Focal Length lower than zoom.
B.Set the Blur Level value to 100 percent.
C.Select Enable Depth of Field.
D.Choose 80mm camera from the Preset menu.
Answer:C
2.You import an image of grayscale clouds and add it to a composition. You want to use the highlights in
the image to reveal the content immediately beneath the image and the shadows in the image to conceal
the content beneath the image. What should you do?
A.On the layer immediately below the clouds layer, select Luma Inverted Matte from the Modes column of
the Timeline panel.
B.On the layer immediately below the clouds layer, select Luma Matte from the Modes column of the
Timeline panel.
C.On the clouds layer, select Luma Inverted Matte from the Modes column of the Timeline panel.
D.On the clouds layer, select Luma Matte from the Modes column of the Timeline panel.
Answer:B
3.You want to convert PAL footage to the NTSC standard to use in future projects and compositions. What
should you do?
A.Choose Lower Field First for Field Rendering and WSSWW for the 3:2 pull-down menu.
B.Drag the footage from the Project panel to the Render Queue and choose Microsoft DV NTSC for
Output Module.
C.Change the frame rate of the footage to 29.97 fps.
D.Select the footage in the Timeline panel and choose the Frame Blending Option.
Answer:A
4.Your composition contains video and animated text. You want to export the composition in a format
suitable for playing in mobile devices. You also want to preview the result in Adobe Device Central. What
should you do?
A.Choose File> Export to export in MPG-4 format.
B.Choose File> Export to export in Adobe Flash Video (FLV) format.
C.Add the composition to the render queue and choose the H.264 format in the Output Module Settings
dialog box.
D.Add the composition to the render queue and choose the QuickTime Movie format in the Output Module
Settings dialog box.
Answer:C
5.You want to render a movie file from a composition. The composition is of a motion picture sequence
and involves heavy effects. You want to render the composition by using a network of render engines.
What should you do in the Render Queue panel?
A.Set the Output Module to render an AVI uncompressed movie file.
B.On the Render Settings menu, select Use Open GL Renderer.
C.On the Render Settings menu, set the Proxy Use option to Use No Proxies.
D.Set the Output Module to render a still-image sequence and add a post render action to create a single
movie file.
Answer:D
6.You render multiple items in a day. You want to add specific information, such as the compressor name
and frame size, to the name of each rendered file. You also want to use this set of parameters in the future.
What should you do?
A.Select the render items and choose Edit> Duplicate with File Name.
B.Choose the Custom value from the Output To menu to create and save a default name in the File Name
Templates dialog box.
C.Select all the render items and click the underlined filename next to Output To to enter a new filename.
D.Choose Preferences >Output and select the Use Default File Name and Folder option.
Answer:B
7.In a composition, you have a layer showing a man holding a rectangular signboard in his hands. The
man is continuously moving, shaking, and turning the sign. You want to track the movement of the sign to
substitute it with a graphic in another layer. What should you do?
A.Track the sign using the Parallel Corner Pin Track Type.
B.Track the sign using the Perspective Corner Pin Track Type.
C.Stabilize the position and rotation of the sign, and then track its position.
D.Track the position of a corner of the sign, and apply the tracked data to the Anchor Point of the graphic.
Answer:B
所有Adobe試験的文章
Photoshop 教育の専門家になって、すべてのテスト項目を勉強のが必要です。9A0-094 はAdobe の試験科目の一つに属します、全称はAdobe Photoshop CS4 ACE Examで、131 の本試験題が含めています。Photoshop 9A0-094 (Adobe Photoshop CS4 ACE Exam）試験題はtestpassport先輩のIT講師とPhotoshop 製品の専門家によって作り上げて、最も新しい本試験題を含めています。Photoshop ガイドを利用して、身につけることである。それから私達の非常に優れている資源を通じて、あなたの知識をテストして評価します。Adobe Photoshop CS4の全機能に加え、3Dモデルやモーションベースのコンテンツの編集、高度な画像解析など、さらなる新機能が搭載されています。
映画やビデオ、マルチメディア制作に携わるプロフェッショナルの皆様には、放送、映画、インタラクティブプロジェクト用のビジュアルエフェクトおよびモーショングラフィックス作成用のツールとしてAdobe® Photoshop®を長くご愛用いただいています。こうした現場にPhotoshop CS4 Extendedを導入すれば、3Dやモーションベースのコンテンツを編集する場合にも、Photoshopの最高水準の画像編集ツールセットとペイントエンジンを活用できます。また、Adobe After Effects® CS4、Adobe Premiere® Pro CS4、Adobe Flash® CS4 Professionalといった、日常使用する他のツールとのスムーズな連携作業も実現します。
TestPassPort は9A0-094試験無料デモダウンロード
http://pdf.testpassport.jp/9A0-094.pdf
1. You have finished editing an image acquired from a digital camera. Which command should you
choose to change the current image mode to one that is appropriate for preparing an image to be printed
using process colors?
A. Image > Mode > CMYK
B. Image > Mode > Lab Color
C. Image > Mode > RGB Color
D. Image > Mode > Indexed Color
Answer: A
2. You have a grayscale image that you would like to print. You would like to add a color tint and print the
image on two separate plates. Which should you choose?
A. Image > Mode > Indexed Color
B. Image > Mode > RGB Color
C. Image > Mode > CMYK Color
D. Image > Mode > Duotone
Answer: D
3. In the Photoshop Color Settings dialog box you see a warning that says: Your Creative Suite
applications are not synchronized for consistent color. You want consistent color treatment across
Photoshop, Illustrator, Acrobat, and InDesign. What should you do?
A. From the Settings list choose: Monitor Color
B. From the Settings list choose: Custom
C. In Bridge, choose Edit > Creative Suite Color Settings and apply a color setting
D. In Bridge, choose Preferences > Advanced and check the box to Use Software Rendering
Answer: C
4. You have a document using the Adobe RGB (1998) color space, and you need to convert it to a smaller
CMYK color space represented by a press profile. The document contains no significant colors that are
outside the CMYK color space.
Which rendering intent will most effectively preserve the color relationships within the RGB document
when it’s converted to CMYK?
A. Absolute Colorimetric
B. Relative Colormetric
C. Perceptual
D. Saturation
Answer: B
5. You choose View > Proof Colors and preview how colors will print on a specific printer. What is a
requirement for Proof Colors to work properly?
A. You have chosen Edit > Assign Profile to assign the profile for the printer’s color space
B. You have chosen Edit > Convert to Profile to convert the document into the printer’s color space
C. You have also turned on View > Gamut Warning
D. You have configured the Customize Proof Condition dialog box
Answer: D
6. You want to display an on-screen preview of how your RGB document will look when produced in
CMYK. Which should you choose to specify the device to simulate?
A. View > Proof Setup
B. View > Proof Colors
C. Image > Mode > CMYK Color
D. Image > Mode > Multichannel
Answer: A
7. You are configuring the Color Settings dialog box for images intended for output to the Web. Which
RGB working space should you choose?
A. sRGB
B. ProPhoto RGB
C. Adobe RGB
D. ColorMatch RGB
Answer: A
8. You want to highlight certain menu items in color. What should you do?
A. Choose Preferences > Interface > Show Channels in Color
B. Choose Preferences > Interface > Show Tool Tips
C. Choose Edit > Keyboard Shortcuts and use the Keyboard Shortcuts tab
D. Choose Edit > Menus and use the Menus tab
Answer: D
9. You want to dock a panel group under another existing panel on the right side of your screen. Which
area of the panel group must you drag in order to dock the entire panel group?
A. A
B. B
C. C
D. D
Answer: B
10. You have four images open in Photoshop. You currently see each image in its own separate window
with its own title bar. You would like to see just one image and tabs for the other images. Which should
you choose?
A. Window > Arrange > Float in Window
B. Window > Arrange > Float All in Windows
C. Click the 4-up button in the Arrange Documents menu
D. Click the Consolidate All button in the Arrange Documents menu
Answer: D